Budo Puts The "POWER" In Empowerment

Photo Copyright 2014 Grigoris Miliaresis

I watched the Avengers: Age Of Ultron last week. I admit to being an old school comic book geek. I’ve got nearly the entire run of Marvel Comics from the 80s in boxes somewhere. Watching the movie reminded me of one of the old motivating fantasies many have for starting martial arts; to be able to be able to do things other people can’t, to have something like a super power.  While watching the movie, some of the heroes, especially Black Widow and Hawkeye, did things that looked fantastic on screen.  While what was these characters were doing on the screen is an exaggeration, it made me think about that fact that budo practice really can endow people with extraordinary power.

Black Widow runs around fighting and beating the daylights out of whole armies of foes.  We all know that’s not realistic. On the other hand, a average size women, with plenty of training, is going to be quite effective against an ordinary man. Yes, the man will have size and strength.  After a few years of budo though, the woman will have an understanding of spacing and timing, as well as technique that will effectively multiply her strength because she will put it to targeted work rather than just lashing out.  I’m pretty sure any of the women who make it to the medal stand in Olympic judo could go through me so fast I wouldn’t know what happened. That’s speaking as someone who’s done judo for decades.  Their extensive and focused training makes them that much better than just about anyone.

Power is relative. From the Merriam-Webster dictionary we get the meanings

(1) :  ability to act or produce an effect

What budo practice endows someone with isn’t super-power, but it is power, and it’s available to anyone who is willing to work at it. There are lots of different sorts of power developed, and strangely, few of them have to do with raw force. The real power of budo comes from learning the precision application of small amounts of force in the correct way, at the correct moment. All the strength in the world, applied incorrectly, will not result in power.

That’s the genius of Kano JIgoro’s maixm 精力善用 seiryoku zenyo, usually translated as “maximum efficiency minimum effort. Kano was able to identify and encapsulate this in a simple phrase for Kodokan Judo, but it’s true of all budo. Regardless of whether we are talking about ancient or modern budo, karate, judo, aikido, weapons or any other art, the best, most effective budo will be that which applies force with the maximum efficiency and the least amount of effort.

It’s skill that brings about that efficiency and effectiveness. That skill multiplies the power of whatever strength someone brings into the dojo. Power “is the ability to act or produce an effect” and in budo there are two sides to that. The one that catches most people’s attention is the ability to do things to the world. Whether this is a karateka’s punch, a judoka’s throw, a the precise strike of a jo, or the clean joint lock of an aikidoka, these are all examples of power, and none of them require a huge amount of strength to be effective.

Karate folks know full well that the location of a blow is at least as important as the force behind it.  Strike a strong man in the chest and you might knock him back. Strike him in the side of the knee or one of a number of other choice targets and it doesn’t take much force at all to leave him broken.

How much strength does it take to throw another human being? Surprisingly little.  A college friend of mine who weighed something north of 300 pounds could be easily thrown by a young lady in our dojo who weighed less than of third what he did. Strength had nothing to do with it. He could bench press 3 of her. When he picked her up from behind in a bear hug though, she could put him in the air. It was not a landing he was fond of, but it was great at demonstrations. She could never match him strength for strength.  The lesson was that she had to apply her force and technique in the right place, at the right moment. Then she was powerful enough to throw someone 3 times her size.

The right point of application and proper timing have far more to do with the power to do things than raw strength. Otherwise, the young gung-ho guys in the dojo would be the powerful ones. Instead, if you go into a dojo, it’s the people with the most training time who are really powerful. Watch out for the relaxed looking older ones. They don’t have the strength and the stamina anymore, but for some reason they can keep up with 20 somethings when randori starts. People wonder why, but they really shouldn’t.

In common sense thinking, there is no way someone in their 50s or 60s or 70s should be able to keep up with, much less regularly dominate, people in their teens and 20s.  We all know life doesn’t work like that. Hang out in a good budo dojo for a while though, and you’ll see it happen all the time. Knowledge and skill make the folks with the gray hair powerful.  They don’t need youthful strength and stamina (though it would be really nice to have) to be powerful.  They know when an attack will be effective and when it won’t and they don’t waste their energy on things that won’t work.

They have something else too.  

It’s not just what the experienced folks can dish out. It’s what they can roll with and keep coming up for more. In that movie, the Black Widow gets thrown all over the place, and instead of going splat into the ground, she does neat ukemi and comes up ready to go. That’s another sort of power.  The power to absorb and negate.  In the dojo we learn how to do that! I get thrown into the ground all the time at practice, roll through it, get up and dive straight back in for more.

Photo Copyright 2014 Grigoris Miliaresis

In budo, power is a coin with two sides.  The side that leaps to the front of everyone’s mind is the power to do things to someone else. Equally important, is the power to absorb and handle other people’s power. When I used to watch Suda Sensei, who was in his late 70s, handle the attacks from all the teenage kendoka in the dojo, it was a lesson in minimum effort and properly applied power. He could absorb and redirect their attacks without getting tired.

Hikoshiso Sensei at 65 would do randori for 15 minutes straight with young judo guys in their teens and 20s and throw us all over the place. He could absorb our attacks without effort. He would also let students learning techniques throw him around.  Imagine a 65 year old man getting thrown repeatedly to the ground, and smiling about it. That’s power too.  

That’s a lot of power. Think about what would happen to a normal, untrained person who was picked up and hurled at the ground.  Bruises? Broken bones? Concussion? Death? Yet I see people in their 60s, 70s, and even 80s taking ukemi and getting thrown around.   Then there are the 70 year olds competing in judo and throwing each other around!

70-74 year division judo competition

It takes power to be able to throw someone, but it takes power to be able to be thrown and stay healthy as well. Imagine the kind of power that allows people in their 70s to throw someone, and to survive being thrown.  That’s real power that comes from budo training.

Budo training won’t turn you into a super-hero.  But if you keep it up, it does give some extraordinary power. Budo will empower you with whatever you train for.  And that power stays around as long as you train.  Just ask these karateka.

What Makes A Great Dojo

I noticed that I’ve been writing about what things aren’t quite often lately. This is an attempt to write about what something is.  What makes a great dojo? The dojo is the center of budo practice, and finding a great dojo is tougher than you’d think, even in Japan. When we look for a great dojo, what are we searching for?

“Dojo” is an old term for a place where one studies the teachings of Buddhism.  When Sanskrit was translated into Chinese, this was used to describe the spot where the Buddha completed the path to enlightenment.  It was the dojo 道場.  the way place.  The word dojo therefore, was ancient when the Japanese martial arts instructors in the Edo Period (1604-1868) began using it to describe their training halls.  

The usage has drifted a long way from the original meaning of the place where enlightenment was achieved. The ancient Japanese applied it to mean places where the teachings of Buddhism are studied, and within Buddhist organizations in Japan, this meaning is still used. The meaning though wandered further when some Edo Period martial artists started calling their training halls “dojo.”  Now the word is commonly used throughout the world.

I’ve seen many gorgeous dojo in Japan, from the stately Butokuden in Kyoto, to the lovely and peaceful dojo at Kashima Shrine, to many small, private dojos that are delightful pockets of beauty. The longer I train though, the more I come to understand that a dojo, no matter how lovely, is empty space that we have to fill with life and breath.  I’ve noticed that both non-Japanese and Japanese alike will use “dojo” to refer to the members of the training group, not just the facility.  This recognizes that it is really the people who make the empty space into a dojo, not the designated purpose of the space.

Interior of the Butokuden. Copyright 2014 Peter Boylan

It’s the qualities of the people and their relationships that make a dojo great. I had a discussion with a some friends about what they feel makes a great dojo.  A lot of the ideas were about the physical space and things that are nice.  While I agree that a beer fridge is a wonderful thing to have in the dojo office, I’m not sure it’s a necessary component of an excellent dojo.  I’ve had great experiences in the parking lot back of Sensei’s house, and lousy ones in gorgeous, dedicated spaces (with beer fridges!).

The things I look for in a great dojo are the people.  I find that if you’ve got good people, the physical space will get taken care of.  On the other hand, if the people and relationships aren’t good, the physical space won’t keep things together.

The number one item on most people’s list of requirements for great dojo, and what everyone thinks about first, is the teacher. Having a good teacher is important, because the teacher sets the example for everyone else of how things are supposed to be in the dojo. In a merely good dojo, the teacher can be anywhere from a competent technician to world class, but they will likely maintain a somewhat distant teacher-student relationship. The teacher never stoops down to the students level.

In a great dojo though, the teacher is more like a head student than a teacher standing above everyone at the head of the classroom dispensing the lesson.  These teachers are every bit as much students of the art they are teaching as the newest beginner.  They find a joy in polishing their own skills, and discovering new things about their art that is as strong and fierce as that of any student.  This joy in practicing, improving, and discovering new things about their budo, and the teachers ability to share this with the rest of the dojo is what stands out for me in the teachers at great dojo.  The teacher’s personal skill level is almost incidental.  It may only be a few steps ahead of the students, but that’s fine.  The teacher is leading the dojo on a great, joyous journey of improvement and discovery, not dispensing wisdom and correction from on high.

This sort of teacher demonstrates and establishes the critical respect and trust that, for me, has to permeate a dojo for it to be truly great.  Because these wonderful teachers are sharing a journey with the students, they naturally treat everyone as respected and important members of the dojo. In a great dojo, everyone is contributing to the activity of learning and discovery, from the most senior members to the the lady whose dogi  is so new you can still see the creases from the package. As hard as it is for beginning students to believe, they are critically important too.  They don’t know what’s supposed to work on them, so they only react when techniques really do work. In great dojos, that respect is there for everyone, regardless of rank or experience.  The teacher sets the example, and everyone in the dojo respects the teacher and each other deeply and sincerely.

I’ve written about the unusual trust that can develop between martial artists before. In great dojo, this feeling of trust is everywhere. Students trust the teacher and each other. In great dojo, people who can’t be trusted are not welcome to train. If someone cannot be trusted to treat their partners with respect and to protect their partners body and health as if it were their own, that person will be gently but inexorably rejected by the dojo. Members of great dojo are great people, though they never think of themselves that way. They trust each other and take care of each other.

That trust and care means that people watch each other and go out of their way for fellow students. Trust isn’t just about what we do with the techniques. It means trusting each other enough that we can pull each other aside if we see a problem developing and bring it to each other’s attention without engendering anger or resentment.  This really differentiates the great dojo from the merely good ones. There is always a sense of zanshin regarding the health and safety of all members in a great dojo.

I mentioned above a little about the value of beginning students in a dojo. In great dojo, all the students are seen as valuable, and are valued for the variety of knowledge and experience they bring to the group. Great dojo have members with a huge variety of budo and conflict experience. These dojo usually have a good share of students who train more than one martial art, and usually a sprinkling of law enforcement officers corrections officers and military veterans. All of these different sets of experience and viewpoint are valued and drawn upon in a great dojo. Great teachers and members of great dojo aren’t intimidated by people who practice other arts and have different experiences. They treasure such members for the variety of perspectives they bring to the dojo. Instead of ignoring everything that doesn’t fit within a narrow orthodoxy, these members will be called on to share their perspective, regardless of their rank in the dojo.  No art has a complete knowledge of every aspect of conflict, and law enforcement officers can bring one set of perspectives about violence, while students of weapons arts can bring valuable understanding of the real capabilities of weapons to dojo that practice arts that primarily focus on empty hand technique. In great dojo, everyone with expertise and perspective are will find themselves called on in class to share what they know, especially if it is different from what most in the dojo expect to be true.

This is the next thing I look for in great dojo, a ruthless desire to reexamine everything students and teachers think they know about their art. In these dojo there is no sacred orthodoxy.  Instead there is a constant search for greater, deeper, more complete understanding. Recently I’ve been in a number of Aikido dojo that are notable because they are inviting people from other traditions and styles to teach and share their arts, even when it calls into question they way things have been done in that dojo. These are great dojo. Their search for understanding and mastery doesn’t end at their door.  Instead of closing the door on anything that contradicts their understanding, they invite those teachers with different perspectives in.

Only training in one art, and never experiencing other arts and perspectives leaves you with a very skewed understanding.  No art is big enough to contain everything there is. I’m not saying you have to study everything. There isn’t time in one life to do that. Great dojo and great teachers realize they don’t have all the answers though, so they make a point to expose their students to a variety of styles and perspectives. Kodokan Judo includes some efficient techniques versus knife and sword. However, if you only practice them with people who aren’t experts in the use of those weapons, you won’t understand all the ways things can go wrong. A few hours with a qualified swordsman can clear up a lot of misconceptions about the real maai and speed of the weapon.

A poor dojo declares theirs is the only way, and discourages students from seeking other perspectives.  A good dojo acknowledges that other ways and perspectives have value. A great dojo makes sure students encounter multiple perspectives and ways of doing things by having them demonstrated and shown in the dojo so students can get a taste of them.

Great dojo don’t rely on just one teacher either. A great dojo may well have one exceptional teacher, but they aren’t limited to that teacher. I always love going to study in Japan. The dojo I am a member of there are filled with high level teachers. Imagine dojo where the median rank is 5th dan. This sort of dojo is quite common in Japan. At the dojo in Kusatsu, I can remember nights when there were four or five 7th dans and an 8th dan on the floor. I started iai in a little country dojo with two 7th dan iai teachers. The kendo dojo had 7 teachers with 7th dans in kendo.  This was in the countryside.

Great dojo develop depth and encourage breadth among their teachers. My iai teacher, Kiyama HIroshi, is 7th dan in iai, jodo, and kendo. He has lesser ranks in judo, karate, and jukendo as well. The other teachers in the dojo are 6th or 7th dan in iai, and most have dan ranks in at least one other art. If Kiyama Sensei can’t teach, the people teaching the class in his stead will all be highly experienced teachers as well. Great dojo have room for many people to be great. It is assumed that everyone can become great, and it’s expected that everyone will to the best of their ability.

This leads to the next element of a great dojo. No one is ever satisfied with where they are. There are no destinations in a great dojo. Everyone, including the top teachers, are still striving to improve their skills and understanding. Everyone is encouraged to keep pushing forward along the Way.  Any Way 道, including budo　武道, is a path, a journey. Great dojo always quietly remind all the members, beginning students and senior teachers, that the way doesn’t have an end point. Everyone is always trying to improve. When I train in Japan, the senior teachers will teach, but if you watch, you’ll see them quietly training as well. Omori Sensei, even though he was 8th dan hanshi and 90 years old, still trained every time he came to the dojo. He would often play with the kata at such a level that I had trouble understanding what he was doing. Seeing a 7th dan teacher ask her fellow 7th dans to critique her technique and accept their comments and work to integrate them into her kata is a marvelous experience. People may hit plateaus, but they always keep working, moving forward until they get off the plateau.

There are many elements that make up a great dojo, but for me, they are about the members of the dojo.  A big, spacious building with a beautiful shomen and lovely decorations, stacks of equipment, and a refrigerator stocked with beer is pointless if the people are arrogant and callous, unwilling to learn anything new or different, and indifferent to their partners’ health and welfare. A great dojo is filled with concern for everyone who trains there, from oldest to newest, and they are always striving to transcend their current level of understanding, even if it means giving up ideas they had thought incontrovertible.

A Good Dojo Isn't A Comfortable Place

Photo Copyright 2014 Grigoris Miliaresis

Practice on Saturday was very good, but not what I had been planning at all. We started out according to plan, working on jodo kihon. About halfway through though, we veered into dangerous territory. We started looking at some of the core principles. One of the newer students in the dojo has background in aikido and kenpo, and asked some good questions related to ma’ai and intent and origin. The answers clearly were nothing like he had expected, and we could nearly see steam coming out his ears as he worked to process the new ideas. He found himself having to revise his understanding of things he thought he understood.  A good dojo is a dangerous place for preconceived notions and dearly held ideas. It can be downright brutal on concepts and conceits that aren’t built upon solid foundations. A good dojo can make you question who and what you are. A good dojo doesn’t just teach techniques for fighting. A good dojo will make you look at yourself and help you strip away self-delusion and simple poor understanding.  

In very solid ways, my student is discovering that what he thought he knew about the effective range of weapons and where he might be safe isn’t very accurate. The solid way he is discovering this is by being on the wrong end of a piece of wood poking him in the gut or stopping just short of walloping him in the head.  

There are lots of ways the dojo can should be uncomfortable that are less physically solid than a stick in the gut, but they are no less real. We all have areas where we are less than perfect, and training in a good dojo will bring these to our attention. Budo is all about dealing with conflict. What nobody told me when I started was that some of the toughest conflicts would be with myself.

Everyone starts budo with a variety of goals; to learn how to fight, to stop being intimidated by aggressive people, to learn about samurai, to gain a sense of personal power, to learn to physically defend oneself. Those are few of the reasons I’ve heard given by people who start martial arts. They are all fine motivations for starting on the journey. It’s just that the journey involves dealing with many parts of ourselves we never intended to deal with, and going places in our minds we never thought we’d go.

Many people start budo who aren’t comfortable with hitting people or doing anything they think might hurt someone or might be aggressive. This is a problem for people who want to learn to defend themselves. This is a problem that is usually apparent to people before they walk in the door of the dojo, so it’s one they are already willing to confront. Training every day brings them face-to-face with this issue. More importantly, it brings them into contact with  a senior or a teacher who is telling them “hit me” or “throw me” or some other version of an attack, but we we all grow up knowing that nice folks don’t hit people.

When a beginner in the dojo says “I don’t want to hurt you,.” they are admitting to several things. First, that they think they can hurt people. Second, that they don’t trust themselves to have enough control to not hurt someone, and third, that at some level they don’t believe the teacher can handle what they are doing.  All three of these are things that make most people uncomfortable.

Society doesn’t approve of hurting people, and we internalize that as we grow. Coming into a dojo is uncomfortable from the first step because studying budo involves learning how to hurt people, and everything in our public culture says that is “bad.” So the first mental discomfort we have to get over is the idea that knowing how to fight isn’t something “good” people know. I realize I’m preaching to the choir here, because I suspect everyone reading this already trains in martial arts.  Think about it though, outside the dojo, people are afraid and intimidated by fighting skills, even if the folks in the office never see you do anything more aggressive than shredding old documents.  This is just first thing people have to get used.

Photo Copyright 2014 Grigoris Miliaresis

In judo and aikido, the next fear people have to get past once they are in the door is the fear of falling. We spend half our time practicing technique on our partners, and the other half being practiced on, which means a lot of falling down.  Falling is something we learn to avoid as kids, because it hurts and it’s embarrassing. It can take a while to get comfortable with falling down. It’s counter to what people are used to, but I love taking falls for people. You can feel their technique, how they move and set up a throw, and how they do or do not take care of their partner. Frankly, I also think it’s really cool that someone can throw me at the floor hard enough that I should have broken bones, and I can bounce up and say “That was great! Do it again!”  Once you get over your fear of hurting yourself, falling down is fun.

A bigger discomfort for many people is they are afraid of actually hurting someone else. They don’t trust themselves to be able to not hurt their partner, and many people don’t feel comfortable with having physical power. We can let pass the fact that real beginners in the dojo don’t have much in the way of skills that would make them a threat to students who have been around for while. New students have to get over the feeling that just having the knowledge of how to hurt people, much less being really skilled at it, is something bad.  

Add to that, the niggling voice at the back of many people’s minds telling them that they can’t trust themselves with this knowledge and skill. “What if I get angry and do something I regret?” “What if I’m not good enough to control my technique and I injure someone unintentionally?”  “What if I really like being powerful and become a bully?” People have all kinds of worries, some of which seem pretty silly. Until you’ve been around the dojo long enough to see a few people go badly wrong. Then the worries don’t seem quite so silly.

Not trusting the teacher to be able to handle what the student does is a lot easier hurdle to clear than not trusting yourself.  After a few rounds of the teacher saying “Hit me”  the student finally decides that well, she really wants it, so it’s on her if she gets hurt. The student tries to hit the teacher and discovers that the teacher isn’t where the strike went. Worse, or better, the teacher has counterattacked in some way that would be really unpleasant if the teacher didn’t have such good control.   It doesn’t take very many repetitions of this kind before the student starts to trust that the teacher can do what she says and will keep herself safe.

Learning to trust yourself though is a lot tougher. We don’t get a lot of experience with physical conflict and violence in Western societies (Japan is even more peaceful). Most new students likely haven’t even been in a pushing match since high school, much less a fight. Before people start training, they are aware that they can hurt others, but they don’t have any technique, so they have little idea what will happen if they do something. Beginners, quite reasonably, don’t trust themselves. They don’t have any technical skill and they don’t have much control of their own bodies, so not trusting themselves to be able to attack someone, or to be able to apply a technique without hurting or injuring their training partners is probably wise.

It takes time to learn to trust yourself and understand what you are really capable of.  The journey to really trusting yourself is a complicated one.  The first steps are just learning to trust your basic technique, that you can safely take a fall, or throw your partner or attack with precision and control. Once students start to have a degree of confidence in their physical skills, they run into some of the other uncomfortable questions. Do I have enough self-control for this?  Could I lose my temper and hurt someone? I’ve rarely encountered students who had the self-control and discipline to stick with training but lacked the self-control to not use what they are learning without good reason. That students worry about this is good sign to me, but it does require the sort of self-reflection and consideration that is never easy and almost always is uncomfortable.

It’s tough to consider that we might not be perfectly wonderful human beings. That makes the self-reflection one of the most uncomfortable things in training. As a student acquires skill, it’s not uncommon for them to wonder what sort of person knows these things. I find this especially true for women. “Good girls don’t behave like that.” “Hitting people isn’t ladylike.” “Ladies are above that sort of thing.”   Add to that social stereotypes that girls can’t fight (He hits like a girl), and the mental and emotional hurdles can get high fast. I have to thank Ronda Rousey for demonstrating to the world that, yes, women can fight.  Each woman that comes through the dojo though has to make that mental journey for herself.

Everyone has to decide what kind of person it is who knows how to fight. This usually isn’t an issue for men, but a lot of what is taught in a martial arts dojo isn’t fighting. It’s the careful, nearly scientific art of how to deconstruct another person. What kind of person knows this stuff? A monster? Until students become comfortable with knowing how to dislocate joints and break limbs, with how to choke someone unconscious or throw them across the room so hard they bounce, they are going to be uncomfortable.

Students have to look within themselves and figure out who they are, what kind of person they are and decide that it’s ok for them to know how to do these violent things. They have to decide it is ok for them to have this power. It’s easy to say “That’s no challenge” when you’re standing on the outside. We all have facets of ourselves we don’t particularly like though, personal traits and characteristics that we aren’t proud of, and maybe even that we’re ashamed of.  Those parts of ourselves gets all this knowledge and power too.

These are just the issues that everyone has get over in the martial arts. Different hurdles will be higher or lower for different people. Then there are the particular issues that people can bring with them. If someone has suffered abuse or trauma, just grabbing a partner’s hand to practice a joint lock might be difficult. Allowing a partner to throw them might require a leap of trust, faith and courage greater than I’ve ever had to take.

Being in the dojo isn’t comfortable, but it is good. A good dojo gives students a place to work on all of these issues. Good teachers give students support to work through them. I’ve known people who thought they had to “push people’s buttons” to help them grow.  I find that just being in the dojo and actively training is usually more than enough. What we do in the dojo is play with violence, aggression and force. Stuff that’s not allowed in polite society. Just working with these things, learning to control and and how to apply them will make people face parts of themselves they can avoid facing in their day-to-day world.

Sometimes the stress of training exposes bits of ourselves we’d rather not face. Perhaps we are too ready to be angry at other people when we are unintentionally bruised or hurt during practice. Maybe we discover that we aren’t as good under the pressure of a steady, continuous attack and that we start to panic. It might be the discovery that we can’t stand to lose, even though losing in randori isn’t really losing. These are just some of the issues that can come up in the dojo.

Working with these things can make the dojo an uncomfortable place, but a great one for learning not only how to fight and inflict harm, but also about what sort of person you are. Looking at ourselves clearly is almost never comfortable, but being in the dojo demands it that we look at ourselves again and again as we progress. Maybe it’s simply discovering that we don’t know things we thought we understood. All of these involve making a discovery that we aren’t quite as good as we thought we were.

In the dojo though, that’s fine. That’s what the dojo is for. You can’t be a good fighter if you don’t know your own weaknesses, so a good dojo helps you deal with the issues and weaknesses you find in yourself.  A good dojo is a little bit uncomfortable because it provides a mirror to look at yourself in. A good dojo is also wonderful because it gives you the support and structure for dealing with what you see in that mirror.

Kaminoda Tsunemori Shihan

Kaminoda Tsunemori Shihan 1928 - 2015

I am working on an essay about the concept of on 恩 (pronounced like “own”). It has to do with obligation and indebtedness. The concept is one that is particularly strong for me right now because a great teacher, to whom I am indebted in many ways, direct and indirect, passed away recently. Kaminoda Tsunemori Shihan was 88 when he passed away last month, and he stands as one of the great budo teachers of the second half the 20th century and into the 21st.  

Kaminoda Shihan was a teacher of Shinto Muso Ryu Jodo and Muso Shinden Ryu Iaido. Born in Kagoshima in the third year of the Showa Emperor’s reign, 1928, Sensei grew up and came of age during the era when Japan was at war in China and Asia. In that era, like every other boy in Japan, he would have studied kendo and judo and maybe even jukendo as part of the school curriculum. IN 1955 though, he was accepted as a student of Shimizu Takaji Sensei, and began learning Shinto Muso Ryu.

Over the decades, Kaminoda Shihan mastered the jo, the staff of Shinto Muso Ryu, as well as the associated arts of Shinto Kasumi Ryu Kenjutsu, Isshin Ryu Kusarigama Jutsu,  Ikkaku Ryu Jutte Jutsu, Uchida Ryu Tanjo Jutsu and Ittatsu Ryu Hojojutsu.  Eventually he received Menkyo Kaiden, or “License Of Complete Transmission” signifying that he had learned completely the curriculum of Shinto Muso Ryu.  

At the same time Kaminoda Shihan was doing this, he also found the time to become 7th dan kyoshi in kendo, and 8th dan hanshi in both iaido and jodo from the All Japan Kendo Federation.  Any one of those ranks is impressive, to achieve all three of them as well as mastering the koryu bugei of Shinto Muso Ryu is incredible.  

I first had the privilege of meeting Kaminoda Shihan in about 1998. My teacher, Matsuda Sensei, introduced us at the big taikai in held in Shiga, Japan every year.  Already, I was indebted to Kaminoda Shihan, because he had become my teacher’s teacher. Thus, I am indebted to Kaminoda Shihan, as I am to all of the teachers before him, who worked and trained and polished Shinto Muso Ryu into the art I am receiving, and who also patiently and carefully taught the generations of teachers who have made it possible for me to begin learning Shinto Muso Ryu.

A few years later, for reasons I was never brave enough to inquire about, I received an invitation to attend a gasshuku that Kamindo Shihan sponsored twice a year. Shihan and his senior students, all Menkyo Kaiden themselves, would gather at in the countryside outside of Tokyo at Kashima Shrine to train intensively in Shinto Muso Ryu for several days.  I asked Matsuda Sensei about this, because training with another teacher is highly frowned up if you don’t have the understanding and permission of your teacher. Matsuda Sensei was more than gracious about this unexpected invitation. He said that Kaminoda Shihan was an exceptional teacher, and that any time I had the opportunity to train with him, I should seize it.

With such strong encouragement from Matsuda Sensei, I couldn’t wait to go and train with Kaminoda Shihan.  Training with Kaminoda Shihan was a wonderful experience. He was frighteningly fast and intense, and his precision seemed inhuman. He, however, was very human. After practice he welcomed all of our questions, and he was unfailingly patient with my poor Japanese.

Many of my fond memories are of the post practice gatherings in Kaminoda Sensei’s room at the gasshuku, as we all talked about the Shinto Muso Ryu and any questions we might have from the day’s training, or from some other source. It didn’t matter that we were all in sweats or yukata and ready to relax. If a question came up that required demonstration to adequately answer, Kaminoda Shihan would be up and demonstrating, moving us around the room easily with smooth technique. I was nearly twice his size, and yet Kaminoda Shihan could move me as easily as he did anyone his own size.  He enjoyed pointing out our suki, or openings, with a simple amusement and a big smile, especially when one of us thought we were strong enough to resist his technique. We never were.

Kaminoda Shihan wrote several books about Shinto Muso Ryu and it’s related arts. He was unfailingly kind and generous whenever someone asked him to sign one. He never just signed a book. He always took some time to think of something to say, and wrote it in his marvelous calligraphy.  I have several of Kaminoda Shihan’s books, and each has a thoughtful and beautiful dedication in the front.

Book dedication by Kaminoda Shihan  Photo Copyright 2015 Peter Boylan

I remember well going to a gasshuku Kaminoda Shihan was sponsoring, and arriving the night before.  When my friends and I arrived, Kamindo Shihan was the only other person there. He took us out to dinner and spent the evening talking with us about all manner of budo.  In fact, at every gathering, he was always patient about sharing his ideas and understanding of budo.  I don’t always remember the post-training discussions as well as the above dinner. After training we usually had beer and sake to accompany the discussion, and that may have sometimes clouded my memory.

My experiences training with Kaminoda Shihan are all vivid and clear in my memory.  His technique was crisp, clean and when he was teaching and training, just difficult enough to make you work to reach the level he was giving you, without being so far above you that you couldn’t get there.  That doesn’t mean it was easy or what you would exactly call “fun,” but training with him was an incredible experience that would push you to new levels. I remember the full throated fear that I was not going to be able to keep up with him, with his sword whizzing at my head much faster than I thought it should be. He always kept the speed just within what I could do, nothing I was comfortable with, but a level that I could manage if I dug down deep and found ability I didn’t know I had.

I only knew Kaminoda Shihan for a small part of his life. He had many accomplishments far greater than sharing a bit of himself with me, but that is what I know, and the part of him I knew.  I owe Kaminoda Shihan for all that he shared so freely with me, and for all the times he kicked my butt during training. There was never any thought on his part that I should or could ever repay him, and I always suspected what I now know, that there was never any possibility that I could repay him. The best I can do is to give away what he so freely gave to me, remember him to my students, make sure they know where all the things I give them came from, and let them know that they are part of a grand tradition that includes great men like Kaminoda Tsunemori.

Kaminoda Tsunemori  Shihan 1928-2015        

神之田常盛 範士

Kendo Kyoshi 1965                                         

 剣道教士　昭和４０

Jodo Hanshi 1985                                             

杖道範士　昭和６０

Iaido Hanshi 1992                                             

居合道範士　平成４

Taihojutsu Jokyu 1966                                      

逮捕術 上級　昭和４１

Kenjuho Jokyu 1966                                        

 けん銃法 上級　昭和４１

Kodokan Judo Sandan 1976                            

講道館 柔道 三段 昭和５１

Fuji Ryu Goshido Nanadan 1984                    

 富士流 護身道 七段 昭和５９

Shinto Kasumi Ryu Kenjutsu Menkyo 1971    

神道霞流 剣術　免許 昭和４６

Shinto Muso Ryu Menkyo Kaiden 1972           

神道夢想流　免許皆伝　昭和４７

Isshin Ryu Kusarigama Jutsu Menkyo 1978   

一心流鎖鎌術　免許　昭和５３

Ikkaku Ryu Jutte Jutsu Menkyo 1978              

一角流十手術　免許　昭和５３

Ittatsu Ryu Hojojutsu Menkyo 1978                 

一達流捕縄術　免許　昭和５３

Uchida Ryu Tanjojutsu Menkyo 1978            

 内田流短杖術　免許　昭和５３

There is more about Kaminoda Shihan at the Capital Area Jodokai website.